Questions (can apply to either or both movements):
- Describe Bartok's approach to melody.
- Describe Bartok's approach to harmony.
- How would you describe the form of the movement?
- Describe Bartok's use of extended instrumental techniques (i.e., the violins don't always sound like violins--why not?).
- Bartok is known for incorporating folk music from his native Hungary into his compositions. What are some folk-like aspects of this quartet?
- Symmetry is another aspect of Bartok's compositional technique that many scholars have discussed. Are there symmetrical aspects of this work that can be heard?
- The string quartet genre is most closely associated with Classical-period music (roughly 1750-1825). How is Bartok innovating? How is Bartok looking backward?
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